2018 at the Parris House – A Visual Year in Review and a Pondering of Gratitude

We are in the last hours of 2018 and I find myself thinking about the psychological concept of negativity bias, explained on Wikipedia this way: “The negativity bias, also known as the negativity effect, is the notion that, even when of equal intensity, things of a more negative nature (e.g. unpleasant thoughts, emotions, or social interactions; harmful/traumatic events) have a greater effect on one’s psychological state and processes than neutral or positive things.”  I admit I fall victim to this.  If someone asked me “How as 2018?” I might respond with a long sigh…even a groan.  I mean, hey, I listen to a LOT of NPR.  My political and social proclivities are known to most of you.  No need to elaborate here.  But I’ve got a great antidote to our natural negativity bias.  Go back and look at your Facebook or Instagram photos from 2018.  Yes, it’s a known hazard of social media that we post our “highlight reels.”  This does have the effect of perhaps sugar coating things and, it is ever important to say, we should never judge our own real lives by the highlight reels of others.  But I am arguing here that these photos can also serve as a gratitude journal of sorts, assembled perhaps unintentionally but there nonetheless.

The working title of my upcoming book is A Year at the Parris House and that’s exactly what these photos, culled from the Parris House Wool Works Facebook page and posted during 2018 show. While these are highlights, and specifically highlights related to my fiber art and homesteading life, they also represent a good part of my personal reality and one that I enjoy sharing with others.  It doesn’t mean that nothing bad happened to me, my loved ones, my friends, or especially my country during 2018.  But these photos are one hundred and seventy five or so touchstones for gratitude.  They show in my professional life: a book contract, a successful gardening and beekeeping season, an article and project in Making Magazine, my first book advance, a writing and making trip to my beloved Nova Scotia, work on a major commissioned piece, my ongoing work with Beekman 1802, happy times teaching and demonstrating skills and arts (here, at Beekman 1802, and at the Sabbathday Lake Shaker Village), two hook-ins (Belfast & Paris Hill), and our remarkable Get Hooked at Sea trip aboard the Schooner J&E Riggin with so many other talented souls.

I shared some personal points of gratitude too, including another trip to Nova Scotia for the graduation of my son James’ girlfriend, Beth, from Dalhousie University, and the highlight of my entire year, the wedding of my son, Robert, to his beautiful bride, Tracy.  My relatively new Collie companion, Wyeth, has been at my side for all of this.

2019 is already shaping up to be another year of gratitude.  I am working on another magazine project and article, finishing up that major commissioned piece, finishing up my book manuscript, and starting the redecorating/sprucing up of the Parris House for its opening in 2020 as a fiber art/homesteading/heritage skills center, just in time for the publication of my book.  I am also in the beginning stages of a new teaching initiative I’m brainstorming with some cherished collaborators and, of course, Ellen Marshall of Two Cats and Dog Hooking and I are already taking registrations for Get Hooked at Sea II.  I may even get to Rhinebeck this year (fingers crossed on the new vendor juried application) and I will definitely be back at the Sharon Springs Harvest Festival.  On a personal note, my two youngest sons, Peter and Paul, and Paul’s girlfriend, Gabi, are graduating from college in May.  I have reached an age where not knowing what else a year will bring is met with anticipation rather than anxiety, although, being no stranger to tragedy in my own life and in the lives of those I love, I am hoping all of us can avoid that unknown this year.

I would encourage you to look back at your own photos from the past year and linger over them long enough to remember the moments in which they were taken.  Most importantly, remember the people in your life who made that moment possible and take some time to thank them for their part in making the best of whatever 2018 dished out.  We do nothing, achieve nothing, are nothing, alone.  In my case I need to thank my family, my friends, my VA, Paul McCoy of Practically Arts Studio, my assistant, Heather Daggett, the Tuesday group, my online customers, and all of the makers, including Ron Adams of Bear Pond Wood Works and Edna Olmstead, who have helped stock the shop with good things since day one. I need also to thank Josh Kilmer-Purcell, Brent Ridge, and everyone at Team Beekman 1802 for continuing to afford me an opportunity to better make a living with my art and also spread the art to a wider audience than I would have on my own. To every venue and every publication that has ever hosted me for teaching or writing – including Beekman 1802, Sabbathday Lake Shaker Village, Telstar Adult Ed, Stitchery in Rhode Island, Portfiber, Rug Hooking Magazine, Making Magazine, the Schooner J&E Riggin, and now my publishers at Down East Books/Rowman & Littlefield.   To mentors who have generously taught me so much: Connie Fletcher of Seven Gables Designs, Susan Feller of Susan L. Feller, Artwools,  Eric Davis, Vanessa Rogers of Backwoods Bee Farm, Carol Cottrill, Lisa Steele of Fresh Eggs Daily, David Homa of Post Carbon Designs, Edna Olmstead, Mike Iamele and the incredible people in our Mastermind group, Britt Bolnick of In Arms Coaching, and more.  I know I am risking leaving someone out by name; there are just so many to thank as this year winds down.  If you tried to write a paragraph like this, who would you come up with?  Perhaps take some time in the next few weeks to privately and even publicly thank them.

I don’t expect all of you to look at my pictures.  I have compiled them here as much for my own future reference as for your possible enjoyment.  There are about one hundred and seventy five of them, so click through some, all, or none, but do click through your own and, if you feel called to, tell us what you were grateful for in 2018.  Sometimes gratitude is just the fuel and inspiration we need to go out in to the world and help right the things that are wrong in it.

Thank you to every single one of you for your support in 2018 and I wish you a very happy, prosperous, and beauty filled 2019.  – Beth

*Note on clicking through…be sure your cursor is pointed on the side arrow which will appear as you hover on either side of the photo.  The arrows tend to shift up or down a little bit as the photos appear.

 

Playing Catch Up – News and Important Dates

With Corgi Tru. She was the canine love of my life.

I haven’t posted anything on the blog since May of this year, after being reasonably consistent about popping something new up for you at least a couple of times a month.  May was around the time small and a few big things started to go wrong around here, starting with my Corgi Tru being diagnosed with terminal liver disease and cancer.  Tru was my steadfast companion for the past eleven years and the dog our four sons were raised with.  To watch her sicken, with one capability after another taken from her by the cancer, was both heartbreaking and demoralizing.  On June 13th, it was clear that prolonging her life was not in her best interest, and I had promised, from the day she arrived to our home, that she would know nothing but love and care for all of her days.  Our amazing friend and veterinarian came over that evening, and Tru passed away very peacefully outside on the grass with many of her loved ones holding and surrounding her.  I didn’t really get off the sofa for about three days – not for any length of time anyway – and from there it’s been a summer of more minor mishaps, from the annoying to the comical.  I will spare you most of those, but if you’ve been following the Facebook page you know that it’s included one of my bee hives swarming, having a lot of my inventory damaged in a microburst at a show in Portland, and then coming home that same night to find my favorite witness-tree birch on fire from a lightning strike, necessitating its felling.  A friend of mine said, “Girlfriend, burn some sage at your house!”

I feel like I’m starting to recover now.  Things are going a bit better and my spirits are always lifted as fall approaches.  It’s my favorite season here in Maine by far.  For a variety of reasons, summer is my least favorite season, plus, for me, fall is like my new year.  Instead of spring, or January, my new beginnings often happen in the fall.   This year especially, I am feeling the need to get back to learning, growing, changing, and moving forward.

So, let’s do a little catching up first.

Tovookan’s Honey

One good thing that happened this summer was that we bottled our first batch of Tovookan’s honey from the Parris House beehives.  We had about sixty pounds altogether and while I have sold quite a lot of it, I do still have some jars left.  If anyone is interested in a one pound jar, they are $10 and available at the Maine studio, OR they can be shipped.  Be aware, however, that shipping is running around $7 – $9, so I leave it to your discretion as to whether or not you’d like a jar from a distance.

I have also had the privilege of working with three publishers who I have long admired.  Down East Magazine currently has some of my rug hooking kits and finished pillows in their Summer Pop Up Shop at their headquarters in Rockport, Maine.  If you are traveling along the beautiful Maine Midcoast for the remainder of this summer and in to September, please stop in to the shop right on Route 1 to peruse not only my things, but a great selection of Maine Made products.

The holiday issue of Rug Hooking Magazine will also feature my pattern and project article as the centerfold pull out.  I remember when I first started hooking thinking it was a really big deal to have that role in an RHM issue, and now here I am.  As always, linen patterns and kits will be available for purchase through RHM when the magazine comes out.

Finally, I have a really lovely and fun project coming out in the fall issue of Making Magazine, assembled and edited by the talented and hard working Carrie Hoge, a fellow Mainer.  I don’t want to put any spoilers here, but the theme of the magazine this fall is “Lines” and my project was designed accordingly.  I loved making it and loved working the Carrie, whose outstanding photography truly captures the beauty of any project she’s shooting.

My work is also on display in the Maine Made kiosk at Bangor International Airport.  It’s so fun to know that busy travelers going in and out of the airport can take a moment to see my bee pillow in the kiosk.  It’s my hope that it brightens someone’s day.

I also just launched two new hooked pillows for Beekman 1802, a bee and a pink pig, continuing with the theme of animals you might find on the farm.   My Instagram post of the bee is the most liked post ever in the history of my IG account, so I’m expecting it to do well in the Mercantile.  It was also “liked” by one of my hooking heroines, who I will not name here.  🙂

So, let’s look forward to what’s coming up the last few weeks of the summer and in to the fall…

Project for The Stitchery

I have a beginner rug hooking class coming up at The Stitchery in Portsmouth, RI, this Sunday, August 27th that you can still sign up for!  We will be doing a double heart scented buckwheat pillow; this is the prototype, to the left.  For more information and to sign up, click HERE.

On September 2nd we will have another of our SUPER FUN beginner dye classes here at the Parris House.  To sign up, click HERE. 

Once again, I will be participating in the Sharon Springs Harvest Festival on September 9th and 10th in beautiful Sharon Springs, NY!  I will not be down in the vendor area this year, but rather I will be at Beekman Farm demonstrating and teaching rug hooking for our Beekman Neighbors who come to the farm tours.  I hope to have some of my exclusive-to-Beekman 1802 pillows for sale in the Mercantile, however, for any neighbors who want to shop for them on the spot at Harvest Festival. Normally they are made to order and purchased online with a 2 week completion time.

I will also be having a beginner class at Scarborough Adult Ed (Maine) starting at the end of September.  Follow the website and FB page for more information on that as it becomes available.  We will be doing Maine forest/camp themed projects, so this is not to be missed!

Learn to make soap with us!

On October 7th, we will have a soap making class again here at the Parris House.  To sign up for that, click HERE. 

The Hampden Hook-In, sponsored by The Keeping Room, will take place on October 21st this year and I will be there again vending.  Hope to see many of you there!

Last, but not least, for events, the Fifth Annual Paris Hill Hook In is set to take place on Saturday, November 4th.  If you have not signed up already, please do soon.  I have reduced the number of participants this year to fifty.  That’s a reduction of about a dozen spots because I am hearing so very many complaints at hook-ins about inadequate space.  If the majority of hookers feel that more space is needed at these events but still want to enjoy the more down-home and charming venues, then the sacrifice has to be made in the number of attendees.  Therefore, I only have a limited number of spaces left.  For all of the information on this event, click HERE.

Some of the garden harvest so far.

The Parris House gardens were not their best this season.  In speaking to a friend of mine who is literally a professional farmer about how relatively poorly I think my tomatoes are doing, she said right away that the nights have been too cold and the days of high heat too few.  I will say, though, that the Parris House apple trees are absolutely loaded, so let’s keep our fingers crossed for those!

And so we move forward.  Not every year is our best year, but in looking back over just what I’ve written here, I realize that some very good things have happened.  And just about two weeks ago, one other very good thing happened…

Meet Wyeth, our new five month old Rough Collie.  (Yes, he’s named for NC, Andrew, and Jamie Wyeth – I’m an art geek.)  My husband grew up with Collies and loves them, and since we have had the good fortune to live with my favorite breed for the past eleven years, I thought it was his turn to live with his.  Wyeth was born in Georgia right around the time his breeder family (Morris Oaks Farm) was making a move to Maine, and that’s why he came to us so relatively late for a puppy.  But this is perfect for me as he is already so well trained and socialized and best of all, housebroken!  He already loves the attention of our Tuesday group hookers, although I do my best to keep him both out of their hooking bags and away from their lunches.  Dog lovers everywhere will know the complexity of my feelings as I fall in love with this new puppy.  I still shed tears for Tru, and at the same time find joy in getting to know Wyeth.

I will be getting back on the regular-blogging wagon.  Tell me in the comment thread any topics you would like to see covered on the blog (can be fiber art, travel, gardening, beekeeping, whatever!), and if I choose yours I will give you an online or in person coupon for $5 off any purchase of $25 or more.   Also, don’t forget to sign up for our newsletter, which I will also be getting back to, by using the sign up box at the bottom of the web page.

Happy hooking and thanks for reading!

 

 

 

A Gray Gardening Day in May plus the Parris House’s Honey Lemon (or Lime) Mint Tea Recipe

Today I put in most of the plantings for the Parris House vegetable and herb garden.  As some of you who follow me on social media may recall, around the time I was planning to start my seedlings, our local water utility burst an underground water main directly in front of our home, sending thousands of gallons of water in to the basement.  Unfortunately, this is the area where I usually have seedlings set up with grow lights.  The basement was a complete wreck and the cleanup and recovery have taken a couple of months, so…this year…no seedlings.

Fortunately, Smedberg’s Crystal Spring Farm in Oxford, Maine always has a huge variety of vegetable and herb seedlings, so this year, that was my solution.  I am usually picky with my seeds, selecting a lot of heirloom varieties, but this year growing my own plants was off the table and, having used Smedberg’s plants at times in the past, I know I will not be disappointed with my harvest.

I got the following in to the garden this morning, even though the weather on this Memorial Day is gray, cold, and frankly miserable:  tomatoes (three varieties), bell peppers, banana peppers, swiss chard, kale, eggplant, slicing cucumbers, pickling cucumbers, lavender, basil, thyme, rosemary, and oregano.  I have a good sized spearmint plant potted and over near the kitchen door, because let’s face it, that’s an invasive and if I put that in my raised beds it will party on until it’s filled them up.  Also, our rhubarb has come up once again and it’s really time (maybe past time) to cut some of that and make something delicious with it.  There’s still work to do, even though it’s getting so late in the season.  I still plan to add some dye/flowering plants to the herb bed and also to the container area near the house.  My husband put up the electric fence for me again this year and our stalwart plastic owl is standing guard as he has for many years (successfully) now.   In looking over my plant selections I’m pretty sure my Italian DNA is showing.

Here are a few pics of the fledgling vegetable garden.  I assure you that in a month or so, this is going to be lush and just starting to put off some food, that is IF it’s ever warm and sunny for more than a day or two at a time this spring.  I’m starting to wonder.

I really couldn’t resist taking some of the spearmint, even though the plant is relatively young and small.  I love mint in my iced tea and I make my iced tea a particular way.   The recipe is right here for you, if you’d like to give it a try.  Let me put forth the following caveats.  I do not like my iced tea very sweet (sorrynotsorry to those of you in the South; I know this is considered an abomination down there).  In fact, the only reason this recipe has honey in it is because a) I like the flavor of honey and b) I have bees and am about to extract my first load of honey (it will be called Tovookan’s honey and will be for sale – watch for it) in the next few weeks.  It wouldn’t be ok for me to not use it in my tea, after all.  Since I don’t have my own yet, the honey shown in the pic is from Beekman 1802, and it’s delicious.  What I do not like is for sweetness to obliterate the flavor of a really good tea.  Second caveat is that I like my tea like I like my coffee – so strong you could stand a spoon in it.  Please adjust for your own taste.   Third caveat (hello, Canadian friends!) – I am using King Cole tea which my son James dutifully picks up every time he goes to visit his girlfriend in Nova Scotia.  This is a very popular Canadian tea that has ruined me for most other everyday teas, but if you can not procure this, just use your favorite.  Each King Cole tea bag is made to brew 2 cups, so you just have to double how many you use in your recipe.

1 half gallon Ball canning jar or a half gallon container of your choice  (but let’s face it, the canning jars are really cute)

3 King Cole Orange Pekoe tea bags OR 6 tea bags of your favorite tea

2-3 tablespoons honey or to taste (go ahead Southern friends, pour that jar upside down and count to 100)

1 lemon, cut in to quarters (lime is also tasty)

1 sprig of fresh mint, cut in to slices and put in to a tea ball

About 4 trays of ice (the Parris House icemaker broke about ten years ago, the repair guy said $600 to fix it – we use trays)

Fill your kettle with hot water and start it on the stove (or plug it in).  Meanwhile, put the honey in the bottom of the jar, and cut up your lemon and mint.  I don’t worry about the lemon seeds, but if they’ll bother you, remove them.  I put my mint pieces in to a tea ball so that I don’t have to fish them out of the tea later.  This may compromise the diffusion a little bit and you can certainly just put them in whole.  However, do NOT put them in the jar yet.

Once your water is boiling, fill the Ball jar to about a third with it and then stir the honey from the bottom until dissolved.  Add your tea bags, fill to about half with the hot water, and steep with the lid on for as long as you like.  As I said, I like my tea super strong, so I let it get plenty dark, about 10 or 15 minutes (ok, sometimes longer – yes, I know it can get bitter – yes, I kinda like that).  When steeped to your liking, remove the tea bags and add the ice.  Notice that I have not yet added the lemon and mint.  This is because I do not like the lemon to take on that “cooked” flavor that can happen when you’ve put the lemons in while the water is still too hot.  I also think it alters the freshness of the mint.  So I wait until most of the ice has melted and cooled and diluted the tea.

Once the water is not hot enough to alter the freshness of the lemon and mint (about room temperature), add those to the jar.  Let these flavor the tea for at least an hour or two.  I recommend getting them both out of the jar the same day, though, because I think the lemon starts to take on an odd flavor if left in the jar too long.   I store the tea in the fridge so that the flavors stay fresh and so that when I use it it’s very cold.

Unfortunately, today is not an iced tea day.  Today is a hot tea, hot coffee, or possibly even hot chocolate day here in Maine, replete with wood stove burning to knock the chill off.  But…I have to think iced tea days are coming, so try making it this way and let me know what you think.

Happy Memorial Day and happy hooking.

P.S.  I have not failed to observe Memorial Day; in fact, I am always deeply reverent of its origins and meaning.  If you follow me on Facebook you will have already seen a Memorial Day post I wrote for the Paris Hill Historical Society today.  Take a look by clicking HERE.  Thank you!

Why We Hook the Animals We Love

This is my Welsh Corgi, Tru.  (If you really want to get to know her, she has her own Facebook page here.)  As you can see, she was sunbathing this morning while I was putting the finishing touches on the first pattern for the Parris House Hookers’ Circle subscription service, shipping this week.   As I posted on our Facebook page this morning, I am painfully aware that Tru is now about twelve years old, and that most of my time with her is behind us.   I never thought I could love a dog this fiercely until she came in to our lives, but here I am, pondering a post-Tru world even though as of right now, she is still happy, active, and healthy.

For this reason, I have been thinking lately that I need to gather up all the photos I have of her (there are many!), and also sit quietly with her, make a sketch of her sweet face, and hook it.    Now, I have never hooked an animal in a detailed way, the way I want to hook Tru’s image.   I want to capture the glint in her eye that still exists even though I see the encroaching cloudiness of cataracts.  I want to hook the pretty combination of “red” and white and maybe now a little gray that defines her face.  I want to add the teeny tiny white eyelashes and delicate fur in her ears.  I think this project is going to have to be refined and textural and multimedia, but since I can see it, I know I can make it a reality.

Prior to this I have not hooked many animals.  One of the most popular patterns in the shop is “Tesla’s First Snow,” which, rather than a late-in-life portrait, is a depiction of our big orange tabby, Tesla, as a four month old kitten seeing his first snowfall out the window.  After being initially perplexed, he wanted to “catch” the snowflakes as they cascaded down.   I snapped a picture of the scene and the result was this:

As you can see, this is a very primitive rendering of Tesla.  His back is turned to us so that, frankly, I didn’t need to deal with the detail of his face, although that is still true to the photograph.  This was done in 2012.  I learned to hook in 2011.  I was simply not ready to take on the complexities of Tesla’s face!   (In case anyone is wondering, he is named for Nikola Tesla, the scientist/inventor.  This happens when you have four sons who dig science.)

I also hook animals for Beekman 1802, and it is absolutely true that I love these animals I’m depicting.   I actually met Polka Spot back in 2014 on the day Jen and I first presented our work to Josh and Brent.  They kindly sent us on a farm tour with Megan, who was then their artisan coordinator, and we were thrilled to see the baby goats, Bubby the cat, Onder the dog, and, as they say, “every living thing at Beekman farm.”   Bubby passed away since then, and Polka has also “gone to Paris,” but both of them had distinct personalities.  Polka was one of the most regal animals I’ve ever encountered, and it was clear that she took her watch over the goats seriously.  Bubby was just one giant furball of love, demanding our attention while Onder ran in and out of the barn playfully.  Here is the menagerie I hook for Beekman 1802.

Last year I had a major commission for a customer’s beloved Pharaoh Hound.  The story on that is here, and the result is below.

Why are we willing to put so much time and effort in to these portraits of our favorite pets or animals?  Or, if we aren’t artisans ourselves, willing to commission someone else to create them?   I think it’s about the innocence, unconditional love, and nobility of character we so often find in our pets.  I don’t say that to anthropomorphize animals.  As my biologist/ecologist son, James, likes to remind me, “They don’t think the way we do.”   And, of course, he’s right.  They don’t think the way we do.   In fact, it’s impossible for us, really, to get inside their heads.  They are coming from an entirely different reality, biology, instinct than we are.  And yet…it is so easy to make important connections with them, and they with us.  We want to immortalize them in art because we know – we are so painfully aware – that their lifespans are much shorter than we’d like and that our own lives are so much better with them by our sides.

Sometimes they’re exasperating.  Tesla wants to kill my knitting if I don’t put it up and out of the way.  Tru wants to be directly under my feet if I’m preparing chicken for dinner.   Tesla is incapable of having a hairball in any location except on a carpet.  Tru occasionally gets so excited over visitors she pees at their feet.  Yeah.   And the fur.  It’s everywhere.  No vacuum on this planet is its equal.

Yesterday, my oldest son, Robert, shared this picture of his and his girlfriend’s, Tracy’s, cats peering out their apartment window in much the same way Tesla peered out at his first snow about five or six years ago.   They are Valentine and Playdough, respectively, and both are well under a year old.   Just the beginning of another generation’s connection with animals.

I hope you will share pictures of your animals and also pictures of artwork you’ve done inspired by them.  Feel free to tell their stories and what they mean to you.  I look forward to learning all about them.

Happy hooking! – Beth

Tesla one-upping Tru and snagging the sunny spot.

 

Lessons from a Weaving Lesson: A Beekman 1802 Artisan Experience with Rabbit Goody of Thistle Hill Weavers

Last weekend I had the good fortune to take a beginner weaving class with Rabbit Goody of Thistle Hill Weavers.  Some of you may know that Rabbit is an extremely well known and highly respected weaver, with an extensive knowledge of her art and so many related topics and disciplines.  For a more complete portrait of who she is and what she has done, click here.  Rabbit is a fellow Beekman 1802 artisan, and it was through Beekman 1802 that this particular class was offered.   The extremely imperfect scarf shown at left was the result of my first go at weaving, showing many errors on my part, but I fully intend to wear it anyway as a reminder of this fantastic experience and some of the larger life lessons it brought to mind.

Rabbit is a generous, patient, and effective teacher.  It is nothing short of miraculous that she is able to take a room full of absolute beginners and, at the end of two days, send them off with wearable, lovely silk & worsted scarves of their own making.  Mine was by far not the best example in the class; one in particular looked flawless to me.  While as a student I was mainly focused on process, not result, I know that when I am teaching I take a certain amount of satisfaction in seeing my students produce something truly beautiful.  I think Rabbit does too, and she certainly achieved successful results.

I think there are often life lessons embedded within any creative pursuit, and weaving is no exception.   Here are just a few that came to mind as I learned the rudiments of weaving.

Small actions can have lasting consequences.   We spent the entire first day of class learning how to wrap the warp and set up the loom.  I had previously known nothing of the painstaking work required to prepare a loom for weaving, and these were relatively simple four-harness looms suitable for beginners.  Once the warp was placed on the loom, we needed to carefully thread each heddle in the correct order, one strand at a time, to achieve the correct pattern in the final result.  Following that, each thread had to come through the reed in the correct groupings.  Needless to say, for a beginner it is very easy to make a mistake at some point in this process, and I did.  A couple of my errors were visible right away to Rabbit, who corrected them, but another was only apparent once the weaving began.   Rabbit was able to fix the latter to some extent, but there is still an imperfection all along the warp in that section of the scarf, a reminder that just one small mistake can have lasting consequences.  But I don’t want this to only be read in the negative.  It is also true that one positive act can have far reaching and lasting consequences for good.  There is a ripple effect in many things that we do, and being focused and present even in the smallest of things can matter a great deal.

Bringing your best to whatever you do is a wise investment and multiplies your efforts.   Rabbit provided us with beautiful silk and worsted thread with which to weave our scarves.  She knows what I also know as a teacher:  if you do not provide your students with the best materials for their very first project, they will not get a result that will encourage them to continue in the art.  Additionally, they may actually have a harder time learning, because cheap, low quality materials do not perform well in an artisan’s hands and can be uncomfortable and frustrating to work with.   Whether you’re a beginner or a master, bring your best to every endeavor and share that best with others if you want your message, your passion, your art – whatever it is – to become a contagious force for good.

Sometimes, we seemingly create something from nothing, and when we do, it is deeply rewarding.  One of the many wonderful conversations that took place over the weekend was about the almost inexpressible satisfaction that comes from having a real, three dimensional, thing of beauty come in to being under your own hands.  Ideas are powerful.  In the course of our weaving weekend, ideas became scarves.  In my own work, a fleeting glimpse of a landscape or the issue behind a protest may take root in my mind as an image or an idea.  From there it will make its way on to paper as a sketch, then on to linen as a pattern, then through wool and handwork it ends up a work of fiber art, tangible, tactile, real.  All it was at its inception was an idea, and it becomes a physical thing, but it doesn’t end there.  It becomes a thing that generates more ideas and feelings, and may even become part of someone else’s story, which may in turn generate more inspiration that becomes some other new thing.   Archaeologists have unearthed woven fabric that is thousands of years old, fabric that started out as someone’s idea.  This manifestation of creative thought presents itself thousands of years after the death of the thinker.  In some ways, creative making is the closest we get to immortality while also being reminded of our own personal impermanence.

Don’t judge anything too early in its story.  The hookers in the audience know that it’s impossible to truly judge a rug prior to the steaming process.  In fact, when I teach hooking, I confidently promise my students that upon steaming, their rug will subtly, and yet dramatically (yes, I mean that contradiction), change for the better.  Imagine my delight to find out that finishing is equally – possibly more – important in a woven piece.  Rabbit taught us a variety of finishing techniques for our scarves.  In the case of mine, she sprayed it gently with water and ran it through a vintage rotary iron.   After the steam pressing, she handed me my scarf and it was amazingly, tangibly, thrillingly transformed.  It was softer, my weaving errors were less apparent, it had developed more of a sheen, and it was just significantly different.  This is a great reminder that often it is best to withhold judgment, especially during moments we are most compelled to judge.  Judging too early can lead to giving up too soon.  It can lead to unfairly dismissing a project, an idea, or at worst, a person, long before we have enough information or legitimate reason to.

Believe you can.  To be honest, when I first signed up for Rabbit’s class I was not at all sure that I would be able to come home with a scarf even as good as the one I have, even with the mistakes its sporting.  Weaving is a precise, intricate, mathy, technical, and yet endlessly creative art form.  It seems to me to require a Renaissance mind, one that is equally comfortable with traditionally left and right brain thinking.  I am infamously weak with mathy pursuits.  I somehow passed calculus in college, but I remember none of it, with the exception, perhaps, of the trauma the class inflicted on me.  I knit…a little…but, oh please, do not ask me to design a knitting pattern or fix an error three rows back.  My chosen art, the one I’m so passionate about, is way more abstract, like painting with wool.  I can handle that with relative ease.  Why on earth would I think I could do something with such strong spatial and technical components?  Well, on one hand, I correctly believed that Rabbit was simply a fantastic teacher and that she’d seen the likes of me before.   On the other hand I simply chose to believe that I could do this.  This is a discipline in itself, and one I learned later in life.  As humans, we really do have limitations, innate characteristics that might really prevent individuals from doing some things.  However, I believe that we have to sort out the real limitations ( I will never be an Olympic athlete) from the lies we tell ourselves (I’m not left brained enough to weave).   The best things that have happened to me in the past several years have come about because I’ve learned to silence the inner voice that fabricates limitations, and listen to the one that objectively recognizes realistic opportunities and possibilities.

Creating things creates community.  This needs very little explanation.  On Saturday morning, we four students and Rabbit had never met before and, except for Rabbit, had never woven before.  By the end of the weekend we had chatted about our lives, our families, things we love to do, and watched and supported one another with the challenges of learning a new art.   We shared our experiences to our wider communities on social media and spread the word about this incredible workshop.  Today I showed my new scarf to our Tuesday hooking group, and the circle became wider.  Humans are innately driven to create and share in the creative process, and I have to think that this is not only because that drive is somewhat evolutionary – a means to physical survival – but also because it binds us together in communities that meet our needs for connection and belonging.

There are so many more lessons within the lesson, but these were foremost in my mind as I drove the six hours back to Maine from upstate New York.  I am very grateful to Rabbit for sharing so much of her time and resources with us, and to Josh and Brent of Beekman 1802 for arranging this experience.  I am also grateful to my three weaving classmates who were inspirational in their own right, creating beautiful things out of “nothing” as well.  If this is something that would interest you also, follow Thistle Hill Weavers on Facebook where Rabbit posts her upcoming classes.   Also follow Beekman 1802 on Facebook for notifications of other upcoming Artisan Experiences as they are offered.

I’ll share some other pictures from the weekend, from Rabbit’s gorgeous studio, and from the Beekman 1802 Mercantile below (click the side arrows to scroll through).  I hope you’ll consider doing something totally new to you this year, and pondering the lessons within the lesson too.  – Beth

 

Time to Get Out Your Calendars and Write Down These Dates

I am a planner junkie.   In fact, I have a planner, two workbooks, a wall poster calendar, and several calendars around the Parris House to keep me as organized as possible.  That’s not to say it’s always 100% effective, but I’m a writing-it-down kind of woman.   The particular organizing and planning system I’m using right now is created by an amazing Australian woman named Leonie Dawson.  She’s no nonsense and ethereal simultaneously.  Not sure how else to describe her but her work and life planner are highly effective, as is she.  To take a peek, click HERE. 

Regardless of what kind of time keeper/planners you use, however, I’ve got some dates for you to write down, so grab your planner, rip your calendar off your wall, whatever it takes, and write these down:

January 23rd:  Last day to register for the Intro to Hooking class I’m teaching at SAD44 Adult Ed.   It’s going to be fun!  We’re making cute 8″ x 8″ Valentine themed mats that can then be finished as pillows or table toppers or wall hangings – your choice.  Classes will be Monday, January 30th and Monday, February 13th.  FMI, click HERE.

January 28th:  Beginner Dye Class at the Parris House.  This is one of the most fun classes I have here.  You learn three different methods of wool dyeing and leave with a full yard of your own hand dyed wool, ready to cut and hook with, or use with any other craft you please.  FMI, click HERE. 

February 4th:  Intro to Cold Process Soap Making at the Parris House. You will learn the art of cold process soap making *and* leave with 2 pounds of freshly made soap, a recipe to use at home, a soap mold, and safety equipment. FMI, click HERE. 

March 11th:  Yes, You Are & Yes, You Can, beginner rug pattern design class at the Parris House.  Another great class that’s super fun!  You will learn genres, design tips and tricks, getting your pattern on the grain, and so much more.  You will leave with a completely finished linen pattern of your own design, all ready to hook.  FMI, click HERE. 

April 1st:  Soap making again!  See earlier description, but for tickets for this date click HERE. 

April 22nd:  207 Creatives Belfast Hook In, First Church of Belfast, UCC, Belfast, Maine.   Many of you already know about this event and are even signed up for it, but for ALL the information, click HERE. 

We are finalizing some summer dates for my classes at the Sabbathday Lake Shaker Village this year, so follow their page at THIS LINK for updates on my and many other great classes.

September 9th & 10th, Sharon Springs Harvest Festival, Sharon Springs, NY.  You know you want to go to one of the premier fall festivals on the east coast and meet the Fabulous Beekman Boys, so why not make this the year?  I will be there vending again this year and am hoping to persuade some other New England artisans to join me.  FMI, click HERE. 

November 4th, Fifth Annual Paris Hill Hook In, Paris Hill, Maine.  You read it here first!  Pencil (or better, do it in ink) this in on your calendar and I will have all of the information and registration forms coming by April.  In fact, I will have registration forms with me at the 207 Creatives Belfast Hook In, so ask for one there.

On the planning table for possible classes to be held at the Parris House are art journaling, ecoprinting/dyeing, a permaculture class, and natural dye techniques, so do stay tuned.

As I add more dates, you can always see what’s happening on our Classes & Workshops tab on the website and on our Events section of the Facebook page.

Plan to join us for some or all of these events and in the meantime, happy hooking!

New Silhouette Pillows Exclusively Available Through Beekman 1802!

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Have you ever been in an antique home and seen an 18th or 19th century silhouette portrait?  Or maybe when you were growing up your parents had one made of you?  Well here’s a modern twist on a classic idea, and it’s a whole lot cozier than the paper variety silhouettes you may have on your walls!

You may recognize the handsome silhouettes above as those of Brent Ridge and Josh Kilmer-Purcell, the Fabulous Beekman Boys and founders of Beekman 1802.  Jen and I feel very honored to be making these pillows in celebration of Josh and Brent’s second wedding anniversary, which, by tradition, is the cotton anniversary.  These pillows are available in your image or images with a variety of colors of wool backs or backed with 100% organic cotton fabric.  Additionally, the pillows are stuffed with 100% organic cotton batting in a cotton muslin case.

The process of making these is extremely personalized.  Once your order is placed, Beth will be in touch to arrange for you to provide the photographs that will be the basis of your design artwork, and to talk about the colors you would like for your hooked background and pillow backing.  Once your artwork is sketched out, you will have the opportunity to approve it before the hooking begins.  Once approved, Beth or Jen will hand hook and sew your pillow.

This is what the artwork looks like when submitted for customer approval.

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These would make wonderful wedding or anniversary gifts, or keepsakes of growing children.

You may order exclusively through Beekman 1802 by clicking HERE.

We’d love to work on your modern heirloom!

On Goats and Gumption

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I’ve had two recurring themes on the brain this week:  goats and, for lack of a better term, gumption.  Gumption is one of those funny sounding English words that leaves you wondering who first came up with it.  It is described by Merriam Webster as:

1 –  chiefly dialect:  common sense, horse sense

2  – enterprise, initiative

Sometimes events just bring us recurring themes.  For example, that beautiful Ball jar of milk in the top picture is not from a cow.  Nope.  That milk, with the delicious cream on top, is from the goats of a new student and member of our Tuesday group, Terry E., who generously brought it to hooking along with some fantabulous homemade goat milk mozzarella.  The Saturday before, during her hooking lesson, Terry and I had talked about goats and their indefatigable ways.  Terry has way more one on one time with goats than I do, but I’ve spent a little time with them as well.

One thing I know about goats is that they are born with that bouncy, LOOK AT MEEE, nothing is impossible nature.   When Jen and I went out to Sharon Springs, NY a little over a year ago to present our hooked wares to Beekman 1802 (something that in itself took all the gumption we could muster), Josh and Brent were incredibly kind to send us with their right hand woman, Megan, to see Farmer John’s new baby goats at the Beekman farm.  The instant we walked in to the barn the babies were clamoring to see who was there, what was going on, and how they could be part of the action.  They were so sweet, so affectionate, and so off the charts charming that Jen and I left there vowing to have goats some day.  Will this ever happen?  I can’t speak for Jen, but as the empty nest imminently approaches for me, I’m thinking that after 25 years of raising kids, I may not want to dive in to raising “kids.”  Terry’s goat milk is great.  I may not need to add goats to the big flock of chickens already living in my barn.

I’ve been hooking a lot of goats since we joined the Beekman 1802 Rural Artist Collective.  I’ve been hooking Faintly, a goat born on the Beekman Farm several years ago…

Faintly

And I’ve been hooking Baby Goat (in fact, I shipped another one today), because well, it’s spring and baby goats happen…

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And I’ve been hooking Grown Up Goat, because you’ve got to have those to make baby goats, right?

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We even have a goat design in our Etsy shop, independent of Beekman 1802, called Goat Go Round.

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We clearly have a thing for goats.

But where does gumption come in?

Well, goats have gumption.  Try telling a goat it can’t do something or go somewhere.  Try telling a goat not to love on you while you’re trying to get something else done in its presence.  Try telling a goat not to eat something…you know, anything not nailed down and sometimes things that are nailed down.

That’s gumption.

I’ve been seeing a lot of gumption this week, along with all things goat.  The aforementioned Terry, as a new student, is tackling one of our most challenging designs, A Murder Among the Magnolias.  When she left here on Tuesday she had the first crow finished absolutely beautifully.  If you aren’t familiar with this pattern, this is Jen’s completed version of it:

I’ve also been part of a business coaching group on Facebook listening to the stories of other fledgling women entrepreneurs as they navigate their way to their true callings, and sharing our own.  Inspiring and loaded with gumption.

An artist friend of mine told me this afternoon about how gumption and listening to his inner voice landed him a significant sale, but then this man’s entire existence is about gumption…and faith.

And then the newest issue of Rug Hooking Magazine landed in my mailbox.  There’s an article in there for hookers who want to design their own patterns, but believe they can not draw.  The article promotes using stencils to create rug designs for the drawing challenged, and I confess, this is not a bad idea.  Stencils are fun and easy and produce pretty rugs, especially when combined in interesting and unique ways.  But…I never accept it when a student tells me she can’t draw.  I just don’t.  Stencils may be a good confidence builder and learning tool, but at some point you’ve got to just fearlessly grab an art pencil, a LARGE eraser (I’ve got a big eraser here and I’m not afraid to use it!), a metric ton of gumption, and start drawing.  Yes, yes, you can.

Recently Jen got up the gumption to start sketching out her own patterns.  Heretofore she had successfully partnered with our go-to realistic style artist, Dan Rosenburg (who is still doing custom patterns for the Maine hookers when I know the style requested is more his than mine), and together they created some absolute marvels, including A Murder Among the Magnolias, 1796 House, Southern Elegy, Victorian Rose & Bluebird, and our WWII and Atomic Age patterns.  (To see all of our patterns, please go to our shop section, “Patterns.”) What she is coming up with all on her own now is absolutely fabulous, and I can’t wait until we can get them up in the shop for all of you to see, and to hook.  You will not be disappointed.  Rather, you will be enchanted.

One of the questions in the business coaching group I’m part of this week was, “What fear or limiting belief is holding you back from something you really want to do?”  Or, in the context of this blog post, “Where do you need to apply gumption and simply do whatever it is you really want?”

Maybe you really believe you can’t draw and therefore can’t create a pattern that’s really, really you.

Maybe you think you can’t hook in 3s and 4s or do fine shading.  Or conversely, maybe you think you can’t hook primitive.

Maybe you think you can’t break out of a style box you’ve been in for a lot of years now. (If this is the case, see the inspiring articles in this issue of Rug Hooking Magazine on steampunk, portraiture in bright colors, and more.)

Maybe you think you can’t make a career or business out of something that’s an absolute passion for you.

Maybe you think no one would be interested in your craft if you set out to teach it, or maybe you think you don’t know enough to teach it.  Try it out on an 8 year old.  Having taught a few children now, I can assure you that there’s a future for this craft if we all apply gumption and spread it around.

Two weeks from today I will teach my first class at the Squam Art Workshops.  Am I nervous?  Absolutely.  But I have the love of our craft to steady me.  The attendees this year were so very interested in rug hooking that my class was one of the first to sell out.  That’s not about me; they don’t know me yet.  That’s about our craft, this craft which was born of gumption (remember? enterprise, initiative, horse sense?) as a way to decorate and cover cold New England and Canadian Maritime floors.  Our foremothers and forefathers in the craft used what they had, which turned out to be burlap sacks, repurposed wool clothing, and lots and lots of gumption, to start a heritage we still enjoy today every time we pick up our hooks.

And, I’ll bet they had a goat, or two, or ten.

Let’s be like them, and like their goats!  Let’s apply our gumption to our craft and to our lives.  Let’s try new things, believe in ourselves, and make beautiful rugs along the way.

Happy goats, happy gumption, and happy hooking!  – Beth

Three New Buckwheat Warming Pillows in the Beekman 1802 Mercantile!

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Jen and I have been busy making new things for the Beekman 1802 Mercantile.  Some of them just went up, and some are for the future (you’ll just have to wait…).  You can click on the hyperlinks below to see them in the Mercantile.

A word about buckwheat pillows…

We infuse buckwheat seeds with essential oils to make lovely and soothing scents.  These go in to the pillows which are then microwavable for warmth, or freezable for coolness, useful for muscle aches, headaches, or simply just for relaxation.  We encourage you to give them a try.  They’re pretty too!

This is Jen’s Lavender Jasmine Buckwheat warming pillow.   It’s inspired by the laying hens at the Beekman farm, with the 1802 logo numbers on the front.

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Also Jen’s, this is her Orange Cinnamon Buckwheat warming pillow.  This is a modern take on the classic vintage kitchen towels of the 1930s and 40s.  Jen is working on a red one as well.

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This is Beth’s Baby Goat Lavender Buckwheat pillow, inspired by Farmer John’s playful baby goats.

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While you are looking at our pillows, check out the rest of the beautiful offerings at Beekman 1802.  Josh and Brent carefully curate the Beekman 1802 Rural Artist Collective to bring you the best of American craft.  We’ve said it before but we are so very happy to be part of Beekman 1802 and this initiative to promote and preserve American hand work.

Happy hooking, and happy shopping!  – Beth